Ava Gardner The Angel Wore Red
Ava Gardner Stars in 'Angel Wore Blood-red'
https://www.nytimes.com/1960/09/29/athenaeum/ava-gardner-stars-in-angel-wore-ruby-red.html
Ava Gardner Stars in 'Angel Wore Cerise'
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September 29, 1960
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THE Spanish Civil War offers a fresh and compelling background for an unusual beloved story in "The Affections Wore Red," simply nearly of the possibilities inherent in the theme are nullified past the screen play's questionable sense of taste.In yesterday'due south new entry at neighborhood theatres, the focus of attending is a frank and extensively explicated love affair betwixt a Castilian prostitute and a priest. While the priest is presented equally a renegade who has removed his cassock out of disillusionment with the practices of his church in a time of stress, and the adult female'south profession is similarly disguised by a thin reference to a job as a "cabaret girl," the obviously controversial textile leaves the filmmakers' intentions open to doubt.Presumably, information technology is but because the girl's convenient death brings almost a bogus miracle at the terminate, thus permitting the priest to regain his faith, that the crusade of censorship has been pacified.Conventional though the story sounds, the unusual subject matter provides some intriguing scenes. Nunnally Johnson, whose screen writing credits include "Holy Matrimony" and "The Grapes of Wrath," has articulated the Loyalists' anti-clerical position in a surprisingly provocative manner. In several scenes involving Vittorio De Sica as a cynical Communist army officer and Enrico Mario Salerno as a captain of more patriotic hue, the dialogue bristles with flashes of intelligence and wit.In his direction, Mr. Johnson has also provided a few competent battle scenes and an over-all production gloss. Under his guidance, the love scenes betwixt Ava Gardner and Dirk Bogarde clearly indicate that their human relationship as far from Platonic.No amount of thoughtful writing or glib direction, however, can salvage the endeavour when the plot, after going farther than other films toward investigating a religious quandary in the Graham Greene fashion, takes everything back at the terminate and dissolves into a mass of inspirational sentimentality.Ava Gardner, a veteran of the Spanish wars, remains a fine figure of a woman, and she makes an interesting try at a patently unplayable role. Dirk Bogavde plays the priest with skill and restraint, in a operation that is consistently in cardinal.The other performers are less constructive. Joseph Cotten gruffly overplays a 1-eyed state of war correspondent, and the portrayals of character actors Vittorio De Sica and Aldo Fabrizi are ruined by poor dubbing. Signor Fabrizi, as a priest shot by a firing squad, repeats his nigh famous scene from "Open City"—this time in a squeaky contralto. Equally for Signor De Sica, whose own deep, expressive accent is currently aural in "It Started in Naples," the high-pitched British wording that accompanies his florid Italian gestures is totally incongruous.Prospective customers besides should exist warned against the misleading title. The shade of the heroine's wardrobe, whether ruddy or cherry-blossom pink, hardly matters when the film is released in standard blackness and white.
The CastTHE Affections WORE Cherry; written and directed by Nunnally Johnson; produced past Goffredo Lombardo; a Titanus-Spectator production released past Metro-Goldwyn-Mayer. At neighborhood theatres. Running fourth dimension: 99 minutes.Solodad . . . . . Ava GardnerArturo Carrera . . . . . Dirk BogardeHawthorne . . . . . Joseph CottenGeneral Clave . . . . . Vittorio De SicaCanon Rota . . . . . Aldo FabriziCaptain Botargas . . . . . Enrico Maria SalernoThe Bishop . . . . . Finlay CurrieMercedes . . . . . Rossano Rory
Source: https://www.nytimes.com/1960/09/29/archives/ava-gardner-stars-in-angel-wore-red.html
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